Simone Brewster is a British artist working at the intersection of contemporary art, design and architecture.

Black and white close-up of a chess king piece.

Through sculpture, furniture, painting and installation, she explores how objects and spaces shape identity, memory, belonging and cultural inheritance.

Trained in architecture before studying Design Products at the Royal College of Art, Brewster approaches making as a way of understanding how people inhabit the world. Her work brings together architectural thinking, material experimentation and cultural research to create objects that exist between sculpture and function.

Drawing on Black British and Afro-Caribbean histories, her practice examines the ways culture is embedded within the spaces we occupy and the objects that surround us. Rather than illustrating these histories directly, she creates forms that invite reflection, offering new ways of understanding ourselves and our environments.

She describes this approach as creating intimate architectures—objects and spaces that mediate our relationship to ourselves, our environments and one another.

A woman with long braided hair, wearing a beige t-shirt and tan pants, sits on a turquoise platform in front of a turquoise background. She is posed with her left arm resting on the platform and her right arm on her knee. To her right are modern, geometric wooden and black objects with various shapes and sizes, displayed on turquoise stands.

Simone Brewster is a London-based British artist whose multidisciplinary practice spans sculpture, furniture, installation, painting and jewellery.

Originally trained at The Bartlett School of Architecture, University College London, Brewster later completed an MA in Design Products at the Royal College of Art. This architectural background continues to inform her understanding of scale, material and the relationship between people and space.

Alongside her studio practice, Brewster regularly contributes to public conversations around art, design and cultural representation through exhibitions, lectures, panel discussions and writing.

A modern black side table with a round white marble top and three sculptural black bases. The table is placed on a concrete floor against a plain white wall.

Collections

Brewster's work is represented in both public and private collections

Public Collections

Victoria and Albert Museum
London Museum
Smithsonian National Museum of African American History and Culture
Walker Art Gallery

Three modern sculptures in a gallery, made of textured materials with geometric shapes and bold colors, arranged on a wooden platform.

Selected Exhibitions

Recent Exhibitions include:

PLATFORM: Simone Brewster — Design Museum, London (2026–27)

Reset: Abstraction Embodied in Design — Smithsonian National Museum of African American History and Culture, Washington D.C. (2026)

The Shape of Things — NOW Gallery, London (2023)

Spirit of Place — London Design Festival (2023)

Temple of Relics — London Festival of Architecture (2025)

Selected Publications

Brewster's work and ideas have been featured in international publications exploring contemporary art, design and architecture. 

Selected publications

The New York Times
Financial Times HTSI
Wallpaper*
Disegno
Design Anthology
Crafts
House & Garden
Elle Decoration
HENI News

Alongside her studio practice, Brewster regularly speaks at museums, universities and cultural institutions on themes including identity, material culture, architecture and representation within contemporary art and design.

Selected engagements include:

  • Victoria & Albert Museum

  • Design Museum

  • Brighton Museum & Art Gallery

  • Royal College of Art

  • London Design Biennale

  • Crafts Council UK

  • Walker Art Gallery

"Working across scales—from jewellery to architectural installations—Brewster continues to explore how objects can carry cultural memory while imagining new possibilities for belonging, care and collective identity."